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appears in the horses' trappings) and the idea here of a hunt by night is playful or symbolic rather than realistic
the Palazzo Contarini-Fasan
The tall building on the left was converted into Pissarro's studio when he bought the property in 1892
Two other panels of The Hunt and The Return from the Hunt
Different identifications have been proposed for the aristocratic sitter
A four-armed deity seated astride a fish Size:medium appears in the horses' trappings)
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