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and emotional depth permeate his pieces
(Kodoji Press) Monk documents the publishers of the books in his studio library in Berlin
or a relief from the weight of modern life
and what has been left unsaid
Photographs: Bénédicte Blondeau
Leporello N° 10 dysphoria and emotional depth permeate hisDuck in the Muck forms part of Kay Rosens Lists project, a format she has explored, separately from her painting and drawing practice, for over thirty years. The Lists organize language in serial ways, often through traditional print processes, but they have also taken the form of videos, book covers, two books, wall paintings, drawings, and bus tailgate posters. Now a leporello can be added to the list. Duck in the Muck was first conceived in 1989,
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