The Post-Modern Lily Round Mirror William Jolly heavy strokes that anchor the

heavy strokes that anchor the composition

Finished with a heavy

This magnificent quartet of English parcel-gilt porcelain square plates by Copeland Spode

6 1/4"H x 22 1/2"W x 12 1/2"D

refining her three-dimensional approach at the Glassell School of Art and serving on the advisory board of the Arts Alliance Center

The Post-Modern Lily Round Mirror William Jolly heavy strokes that anchor the37 1 2 Diam x 1 1 2D This circular mirror is a sophisticated exercise in late century minimalism, blending the bold, graphic language of Post Modernism with delicate, botanical romanticism. The piece is anchored by a high sheen, black lacquered frame that provides a crisp, architectural boundary, creating a deep sense of visual contrast against the reflective glass. The focal point is an etched or screen applied floral motif featuring lilies and