LOUISE NEVELSON "JUMBO" WORKING PROOF LITHO, 1966 American art 1990s By the early 1960's he

By the early 1960's he had established a modest local reputation as an artist and joined the Gallery Moos stable in 1964

For most of the year Tod has successfully experimented with watercolor

Town used printmaking materials in a highly original and spontaneous way

Although there were times in his career where he was under exclusive contract to Condé-Nast (typically one of the international versions of Vogue) he always maintained a clause permitting him to shoot for Playboy

while maintaining the confident control of Town's stylized linework

LOUISE NEVELSON "JUMBO" WORKING PROOF LITHO, 1966 American art 1990s By the early 1960's heCollage was an important part of Louise Nevelson's practice. The process mirrored her approach to sculpture; taking disparate elements and assembling or uniting them into a complex whole. Similar to her American contemporaries, Nevelson delved into printmaking beginning in the early 1950's. She worked with the leading printing studios in America adopting new techniques while expanding her aesthetic and oeuvre considerably. This piece was a working