GERSHON ISKOWITZ "RED-BLUE" WATERCOLOR, 1978 Roy Lichtenstein creating an architectural rhythm that

creating an architectural rhythm that feels both intimate and expansive

making them both impressive and extremely ephemeral

12"H 12"W  (work)

nude silhouettes (often evocative of Matisse)

Wieland’s depictions of female sexual imagery are now appreciated for their ground-breaking place on the frontier of abstract and figurative forms

GERSHON ISKOWITZ "RED-BLUE" WATERCOLOR, 1978 Roy Lichtenstein creating an architectural rhythm thatIt is somewhat hard to reconcile Gershon Iskowitz's (1921 1988) joyful aesthetic with his personal history. Born to a religious family in Poland, Iskowitz was allowed to leave yeshiva (a Jewish seminary) in order to study art, including a brief stint at the Academy of Fine Arts in Warsaw. The outbreak of the second world war forced him to return to his hometown where shortly after he was conscripted to forced labor. In 1944 Iskowitz was transferred to